Hamza Humo Grozdanin Kikot. 47 likes. Book. Hamza Humo Grozdanin Kikot. Privacy · Terms. About. Hamza Humo Grozdanin Kikot. Book. 47 people like this. Get this from a library! Grozdanin kikot: izabrane pripovijetke. [Hamza Humo; Enes Duraković]. Get this from a library! Grozdanin kikot.. [Hamza Humo].

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Since the lyric contents is superior to the epic in a ballade, lyric elements present a significant factor of the novel structure in the Bosniak novel. A significant place within this tradition is occupied by sevdalinka and ballade as the most valuable rgozdanin forms which also had a huge influence on the Bosniak literature.

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Shibbolet Login Shibboleth authentication is only grozdsnin to registered institutions. However, remote access to EBSCO’s databases from non-subscribing institutions is not allowed if the purpose of the use is for commercial gain through cost reduction or avoidance for a non-subscribing institution.

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Grozdanin kikot i druge priče.

At grozdain thematic level, family, woman and love constitute a backbone of sevdalinka and ballade, so, in this text we are going to point at such themes and protagonists in novels intending to recognize the implicit presence of sevdalinka-ballade elements in the novefistic discurse. With such programme orientation the International Festival has best demonstrated and proved that it is possible to meritoriously and superiorly judge but also to influence the movements and development of the contemporary theatre for children as a whole from such a cultural centre as Subotica.


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Remote access to EBSCO’s databases is permitted to patrons of subscribing institutions accessing from remote locations for personal, non-commercial use. Stylistic figure repetitions are investigated as integral parts of extraordinary poetic structure of Grozdanin kikot, which are potentially predetermined for passing of intensified expressiveness.

No warranty is given about kiot accuracy of the copy.

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Oral tradition is hrozdanin of the key factors which mark the spiritual culture of Bosniaks. By using our services, you agree to our use of cookies. Shibboleth authentication is only available to registered institutions.

The analysis is focused in stylistic figure repetitions as one of the most obvious signals of recurrence and text cohesion in Grozdanin kikot.

This abstract may be abridged. Because of that, and not without reason, it has become the hub and one of the few oases of the noble encounters of contemporary literary-theatrical and theoretically scientific accomplishments, but also the one of the unavoidable factors of European and world integration processes in the field of culture.


Furthermore, our novel, as well as ballade, with its historical background is indicative of the eonneetion among individual, family and society.

In oikot, the analysis includes their semantic-stylistic qualities established with their structural and rhythm-melodic effects. Based on the high achievements of contemporary theatre gfozdanin, directed and turned towards the being and perception of the young spectator, with the offered repertoire it has largely contributed to affirmation of the entire European and worldwide creative thought in this klkot, to a different notion of semiotics, and by it of semantics of this type of representation.

Even though our first narrators were under a big influence of sevdalinka-ballade narrative, the portion ofthese oral forms in their work didn’t go beyond thematic-motif level and more or less successful creation of the atmosphere that reminds one of sevdalinka and ballade. This paper deals with an analysis of stylistic value of lexical connectors in the literary work of Grozdanin kikot by Hamza Humo.

Fortunately, for a long time now we know that the Festival is not only reality but also the fact.