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Ronaldo Miranda – Appassionata, for guitar – Classical Archives
Click here to sign up. G1 was over-valued by the significant increase in the duration of the notes due to their higher structural mirranda. Skip to main content. Appassionata for guitar of Ronaldo Miranda: Inhe had his piece Images for clarinet and percussion selected for the World Music Days in Budapest, participating of the event as first delegate from Brazil.
Ronaldo Miranda, Appassionata
Help Center Find new research papers in: He began his musical career as a critic for Jornal do Brasil and intensified his own work as a composer afterwhen he won the first prize at the II Biennial of Brazilian Contemporary Music.
Enter the email address you signed up with and we’ll email you a reset link. Miranda provides the guitar repertoire with a portentous piece, largely indebted to the late-Romantic pianistic tradition, written in an instantly recognizable style of luscious harmonies and large gestures.
All our sales are processed by our distributor, the Theodore Presser Company. We conclude that the parabolic curve behavior depends on the structural appxssionata of the motif of the phrase.
G1 tended to have a tighter and slower timing pattern than what was indicated by the composer, and G2 tended to have a higher timing liberty pattern due to their more improvised characteristic. He received in the following years several prizes in Brazilian contests for composers and also the Trofeu Golfinho de Appassionwta from the Government of the State of Rio de Janeiro.
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The selected theme has in its first motif a defined melody and in the second motif an improvised character.
Log In Sign Up. Using computer software, the IOIs related to the time unit were obtained. Ronaldo Miranda has discreetly occupied a prominent position in the Brazilian musical scene, thanks to a constant flow of major symphonic and chamber works which denote a solid craftsmanship and a rare ability not only to pour new wine into old barrels, but also to refurbish these barrels in order to attend new demands.
It intends to verify the mathematical behavior of timing variation as a function of the indication of the composer, in two phrases with two parts, each of which contains distinct textures. The first group G1 contained the data regarding the texture of the defined melody, while the second group G2 contained the data regarding the texture of improvised character.